We reviewed Les Misérables - Let the People Sing at Nottingham’s Theatre Royal
Despite knowing the story after watching the film once, seeing the people’s musical come to life with such power and melodies took me by surprise.
Yesterday (May 27), I had the chance to see one of eleven amateur premieres of Les Misérables - Let the People Sing at Nottingham’s Theatre Royal, and everyone told me I would cry, and guess what? I did indeed.
The musical was brought to life by Nottingham Operatic Society, who have been asked by Cameron Mackintosh and MTI to lead the performance, which will be running in the Nottingham stage until Saturday (May 31).
Having watched the film once, several years ago, I sat down knowing what to expect: the French Revolution, the drama, the emotion, the intensity of such a story, but what I didn’t know was that it would hit me so hard.
As the film is fairly long, I knew the performance would be the same, otherwise, it would be more of a hit or miss, and in this case, it was a total hit, and the fact that it went by quicker than expected just gave it extra points.
The story goes deeper than a former prisoner, an ill mother or greedy people who see wallets rather than hearts; it is a story of compassion, hope and union, and somehow they all are related, not failing to teach every and single person in the audience a lesson for life.
The cast was absolutely fantastic, from the way they were able to engage the public in such a strong plot from beginning to end, with the public clapping and showing their support every other song, it was an unmatchable atmosphere, from the stage to the seats.
The cast performed over 20 songs, including some of the public’s favourites such as Look Down, Who Am I?, I Dreamed a Dream, and Do You Hear the People Sing?
From the incredible acting to the captivating voices, every single member of the cast knew exactly where they belonged and what they were doing.
I was transported beyond the theatre seats into the barricades in the French Revolution and even felt like running away from Javert every time he showed up, because it felt like I was there too and I was ready to join the others and sing for freedom.
I believe that when people watch a film, it is easier to get involved because they have several takes to nail the perfect scene and shot, but in the theatre, there is the pressure of — what if something goes wrong?
So for me, having the ability to make a musical even more engaging, powerful, and poignant all in one take and make it a piece of art takes the perfect crew, from the cast and directors to the stage staff and orchestra. — MT
